#DAVID WEISS FLAT EARTH EMAIL MOVIE#
#DAVID WEISS FLAT EARTH EMAIL MANUAL#

Depictions of women have been freed up by a rejection of the traditional good versus bad mother binary, in films such as Maggie GyllenhaalвЂ™s The Lost Daughter (now on Netflix) and Pedro AlmodГіvarвЂ™s Parallel Mothers (28 January).

#DAVID WEISS FLAT EARTH EMAIL MOVIE#

And the movie landscape is a whole lot more satisfying for it. Photograph: Everett Collection Inc/AlamyДЄ welcome addition to cinemas in the coming months is a collection of stroppy, unpredictable, unreliable and thoroughly difficult women. Milena Smit and Penelope Cruz in Pedro AlmodГіvarвЂ™s Parallel Mothers. Laura Cumming F ilm: stories of complex, complicated women And in March, the Fitzwilliam Museum in Cambridge focuses on David HockneyвЂ™s interactions with the different technologies of viewing, old and new, and with past art from Fra Angelico to Ingres and Manet. The Ikon Gallery in Birmingham has what promises to be a riveting show of paintings by Carlo Crivelli, arguing that the Italian Renaissance master was as radically outlandish as Magritte. In February, Louise BourgeoisвЂ™s eerie stitched and stuffed figures get an overdue outing in The Woven Child at LondonвЂ™s Hayward Gallery, while Ai Weiwei juxtaposes new works against ancient Chinese objects to acute political effect at KettleвЂ™s Yard in Cambridge. Eventually, as the show reveals, the two became savagely indistinguishable. Dogs, hawks, monkeys, baboons: Bacon painted them like people and people as if they were creatures. The new year offers a great resurgence of solo shows, starting in January with the Royal Academy in LondonвЂ™s Francis Bacon: Man and Beast, already postponed by a year, but in this case better late than never. Surveillance Camera with Plinth by Ai Weiwei, 2014.

Kitty Empire A rt: blockbuster solo shows ThereвЂ™s more to come too, with projects expected from talents as diverse as Spanish pop sensation RosalГa and Korean multi-instrumentalist Park Jiha. Fresh from a slew of awards for her Broadway musical, Hadestown, cult figure AnaГЇs Mitchell steps into the spotlight with a self-titled album this month, with Aaron Dessner and Nico Muhly guesting.

#DAVID WEISS FLAT EARTH EMAIL MANUAL#

Hurray for the Riff Raff, the vehicle for singer-songwriter Alynda Segarra (pictured above), promises a manual for Life on Earth, a вЂњ nature punkвЂќ album for tough times (February). Japanese-American one-woman show Mitski follows up her breakout 2018 LP, Be the Cowboy, with the 80s-influenced Laurel Hell, due in February. M usic : pioneering solo females go from strength to strengthДЄ clutch of female auteurs are readying new albums, edging their way out of left field or heading straight for the mainstream. Aaron SorkinвЂ™s adaptation of Harper LeeвЂ™s novel is directed by Bartlett Sher and designed by the mighty Miriam Buether. Also in London, from 10 March at the Gielgud, Rafe Spall becomes Atticus Finch in To Kill a Mockingbird. At LondonвЂ™s Donmar Warehouse from 11 February, Kit Harington stars in Max WebsterвЂ™s modern staging of Henry V, which sets out to investigate EnglandвЂ™s relationship with Europe and asks if we get the leaders we deserve. One of the great reimaginings of the past decade, Martin CrimpвЂ™s version of Cyrano de Bergerac, in which the fights are rap battles, returns with the incandescent James McAvoy Jamie LloydвЂ™s fiery production is at LondonвЂ™s Harold Pinter from 3 February, before moving to Glasgow. Kathryn Hunter appears in The Chairs, EugГЁne IonescoвЂ™s absurdist apocalypse drama, translated, adapted and directed by Omar Elerian at the Almeida in London from 5 February.

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